Han Kang’s Nobel Prize and How Korean Literature Tells Stories Differently

Introduction: A Personal Reflection on Writing Styles

What if the way we tell stories shapes how we understand the world? When Han Kang won the Nobel Prize in Literature, it was more than a win for Korean writers—it was an invitation for global readers to experience storytelling in a way that feels unfamiliar to many Western audiences: slow, introspective, and deeply emotional.

When I studied in the U.S., I was taught to write essays with a clear introduction, body, and conclusion—everything had to be direct, structured, and neatly wrapped up. The approach was straightforward: state your thesis, support it with evidence, and conclude decisively. However, as I began exploring writing in both Korean and English, I realized how deeply storytelling structures reflect cultural perspectives.

Unlike Western writing, which often prioritizes clarity and efficiency, Korean storytelling unfolds gradually, much like waves building momentum before they crash. Instead of jumping straight into the point, Korean writing takes its time, immersing readers in mood and emotion before revealing its core message. This difference made me wonder: why do different cultures structure their writing so differently?

That curiosity led me to explore how Korean storytelling—particularly the 기승전결 (Ki-Seung-Jeon-Gyeol) structure—offers an alternative way of experiencing narratives, one that values emotional buildup over direct resolution.


What Makes Korean Storytelling Different?

Understanding 기승전결 (Ki-Seung-Jeon-Gyeol): Korea’s Traditional Narrative Structure

Korean literature follows a four-part storytelling framework called 기승전결 (Ki-Seung-Jeon-Gyeol):

  • 기 (Introduction): Establishes the setting and mood without giving away too much.
  • 승 (Development): Builds deeper layers of emotion and complexity.
  • 전 (Twist/Turn): Introduces an unexpected shift or turning point.
  • 결 (Conclusion): Ends with reflection—often subtle, ambiguous, or open-ended.

This contrasts with the Western Three-Act Structure, which follows a clear beginning, middle, and resolution:

  1. Act 1 (Setup): Introduces the protagonist and conflict.
  2. Act 2 (Confrontation): Escalates tension, leading to a climax.
  3. Act 3 (Resolution): Provides a definitive ending.

While Western literature focuses on conflict and resolution, Korean storytelling prioritizes emotions, mood, and quiet reflection, often leaving questions unanswered.


Han Kang’s Novels as a Case Study in Korean Storytelling

Han Kang’s novels are brilliant examples of 기승전결 storytelling, offering a reading experience unlike typical Western fiction.

1. The Vegetarian: An Unsettling Psychological Journey

Han Kang’s The Vegetarian doesn’t follow a traditional plot-driven structure. Instead, it immerses readers in gradual psychological tension and emotional unraveling.

Click to reveal an example from the novel—but beware, this section contains spoilers!

Unlike Western novels, where a protagonist’s journey often leads to clear resolution or redemption, The Vegetarian leaves room for interpretation, drawing readers into a haunting, symbolic narrative about personal autonomy and societal pressures.

Display of Han Kang’s books in various languages, including English, at Kyobo Mungo bookstore, celebrating her Nobel Prize in Literature.
Display of Han Kang’s books in various languages, including English, at Kyobo Mungo bookstore, celebrating her Nobel Prize in Literature.

2. Human Acts: The Power of Collective Memory

Instead of following a linear historical account of the Gwangju Uprising, Human Acts tells the story through multiple perspectives, emphasizing memory, trauma, and identity.

This fragmented storytelling mirrors the way history is remembered—disjointed, painful, and deeply personal. The novel doesn’t seek to provide easy answers but instead invites readers to reflect on historical wounds that never fully heal.


The Cultural Influence Behind Korean Literature

The Concept of “Han” (한) in Korean Storytelling

A major reason why Korean literature feels different from Western storytelling is the presence of “Han” (한)—a uniquely Korean concept that embodies deep sorrow, resilience, and collective historical trauma.

Unlike Western storytelling, which often provides resolution or closure, Korean literature embraces unresolved emotions, encouraging readers to sit with discomfort, reflect on suffering, and find meaning in ambiguity.

This cultural difference is why some American readers may find Korean novels slower or harder to interpret, but once embraced, they offer a profoundly moving literary experience.


Why American Readers Should Explore Korean Literature

For those new to Korean literature, it’s important to adjust expectations. Rather than focusing on “what happens next,” Korean novels invite readers to:

Embrace slower pacing and deeper emotional engagement.
Find beauty in ambiguity rather than expecting clear resolutions.
Experience storytelling as an immersive, poetic journey.

Best Korean Novels in English for New Readers

If you’re looking to explore Korean fiction, here are three highly recommended books to start with:

  1. The Vegetarian (Han Kang) – A haunting, poetic novel about personal autonomy and repression.
  2. Please Look After Mom (Shin Kyung-sook) – A deeply emotional story about motherhood, sacrifice, and regret.
  3. Kim Jiyoung, Born 1982 (Cho Nam-joo) – A powerful social critique on gender roles and modern Korean society.

Each of these books captures the essence of Korean storytelling, making them perfect starting points for readers interested in diverse literary styles.


Conclusion: How 기승전결 Changed the Way I See Stories

Looking back, I realize that growing up with two different writing styles—structured and direct in English, poetic and gradual in Korean—has given me a richer perspective on storytelling.

Neither is “better” than the other; they simply reflect different ways of seeing the world.

Han Kang’s Nobel Prize is more than just an award—it’s a reminder that great stories exist beyond Western traditions. The way a story is told is just as important as what it tells, and understanding Korean storytelling allows readers to appreciate narratives in a whole new way.

Join the Conversation!

Have you read any Korean novels? What did you think of their storytelling style? Share your thoughts in the comments below—I’d love to hear from you!

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